The problem with both The Ides of March and Real Steel is that neither one does anything particularly original or exciting. There are some great performances--the entire cast of The Ides of March is amazing--but the sums are less than their parts.
The Ides of March reminds me of Good Night and Good Luck, makes me wonder if George Clooney ought to stick to acting (and producing) over directing. His direction only rarely does anything notable... oddly enough, the most interesting moments, as far as direction, also include the most interesting use of music, while Desplat's score otherwise is quite mediocre and forgettable. Those moments involve a few scenes that begin a few beats behind where another film might get going... if you can understand what that means. Anyway, the acting is great, Clooney, Gosling, Giamatti, Hoffman, Evan Rachel Wood, even Marisa Tomei, Jeffrey Wright and Gregory Itzin in smaller roles. But, the storyline, which ultimately--SPOILERS AHEAD--involves the corruption of a guy who starts the film quite ideological and optimistic, should be darker, should be more powerful, shouldn't come across so rote.
Similarly, Real Steel, which crosses a boxing film with a father/son movie, reminiscent of Stallone's Over the Top--except far better--is certainly entertaining, and it hits all the expected notes, but it doesn't hit them in any way that's too unique. Again, some good performances, but overall, the film just comes across as something that's been seen time and time again. Now, that's not necessarily a bad thing. It's good to watch things over sometimes (plus, as I said, this film is reminiscent of Over the Top, except done quite a bit better... plus, well, fighting robots).
There's a weird sort of subplot in Real Steel that never quite gets anywhere, also. There are hints that Atom (the robot) is perhaps self-aware but ultimately, that doesn't matter much as--SPOILERS AHEAD--in the end, he doesn't have to fight without someone controlling him, which would have made more sense, that father and son had trained the robot to go beyond his programming and adapt on the fly... instead, Jackman's character effectively fights the big champion robot in the end, controlling Atom through his "shadow" function. This ending fits better with the father/son storyline, of course, but it detracts from any sense of character for the robot that may have come before.
Despite the lack of profundity in these two movies, it was a good morning at the theater. A bunch of good actors with good performances, a couple entertaining films, but nothing too... special.
